Coming Attractions

Tron: Ares

Fri., Oct. 10 - Thu., Oct. 16

Sat. - Mon. @ 2:00pm

Daily @ 6:50pm

Venue: Salmar Grand

Auditorium: 1

Runtime: 119 mins.

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violence

Starring: Jared Leto, Greta Lee, Evan Peters, Hasan Minhaj, Jodie Turner-Smith, Arturo Castro, Cameron Monaghan with Gillian Anderson and Jeff Bridges

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“TRON: Ares” follows a highly sophisticated Program, Ares, who is sent from the digital world into the real world on a dangerous mission, marking humankind’s first encounter with A.I. beings.

Roofman

Fri., Oct. 10 - Thu., Oct. 16

Sat. - Mon. @ 1:30pm

Daily @ 6:40pm

Venue: Salmar Grand

Auditorium: 3

Runtime: 125 mins.

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coarse language; sexually suggestive scenes; violence

Starring: Channing Tatum, Kirsten Dunst, Ben Mendelsohn, LaKeith Stanfield, Juno Temple, Melonie Diaz, Uzo Aduba, Lily Collias, Jimmy O. Yang, Peter Dinklage

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Based on an unbelievable true story, Roofman follows Jeffrey Manchester (Channing Tatum), a former Army Ranger and struggling father who turns to robbing McDonald’s restaurants by cutting holes in their roofs, earning him the nickname: Roofman. After escaping prison, he secretly lives inside a Toys “R” Us for six months, surviving undetected while planning his next move. But when he falls for Leigh (Kirsten Dunst), a divorced mom drawn to his undeniable charm, his double life begins to unravel, setting off a compelling and suspenseful game of cat and mouse as his past closes in.

One Battle After Another

Fri., Oct. 10 - Thu., Oct. 16

Sat. - Mon. @ 1:30pm

Daily @ 6:30pm

Venue: Salmar Grand

Auditorium: 2

Runtime: 162 mins.

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coarse language

Starring: Leonardo DiCaprio, Sean Penn, Benicio Del Toro

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When their evil enemy resurfaces after 16 years, a group of ex-revolutionaries reunite to rescue one of their own’s daughter.

Gabby’s Dollhouse: The Movie

Fri., Oct. 10 - Thu., Oct. 16

Sat. - Mon. @ 1:45pm

Daily @ 6:30pm

Venue: Salmar Grand

Auditorium: 4

Runtime: 98 mins.

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Starring: Laila Lockhart Kraner, Kristen Wiig, Gloria Estefan, Thomas Lennon, Jason Mantzoukas, Ego Nwodim, Kyle Mooney, Melissa Villaseñor, and Fortune Feimster

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Gabby and Grandma Gigi’s road trip takes an unexpected turn when Gabby’s prized dollhouse ends up with eccentric cat lady Vera. Gabby embarks on a adventure to reunite the Gabby Cats and retrieve her beloved dollhouse before it’s too late.

El Último Sueño de Frida y Diego

Sat., May. 30

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 145 mins.

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The Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker.

Eugene Onegin

Sat., May. 2

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 225 mins.

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Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.

Tristan und Isolde

Sat., Mar. 21

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 290 mins.

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The electrifying Lise Davidsen tackles one of the ultimate roles for dramatic soprano: the Irish princess Isolde in Wagner’s transcendent meditation on love and death. Heroic tenor Michael Spyres stars opposite Davidsen as the love-drunk Tristan. Mezzo-soprano Ekaterina Gubanova reprises her signature portrayal of Brangäne, alongside bass-baritone Tomasz Konieczny, who sings Kurwenal after celebrated Met appearances in Wagner’s Der Fliegende Holländer and Ring cycle. Bass-baritone Ryan Speedo Green makes an important role debut as King Marke.

I Puritani

Sat., Jan. 10

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 200 mins.

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I Puritani was the final work from Vincenzo Bellini, the great Sicilian exponent of the bel canto style of opera. It was written specifically for the talents of four of the best singers of its day, and the opera’s success depends almost entirely on the vocal abilities (and artistic sensibilities) of the performers. Its depiction of madness—both in individuals and in communities—is extraordinary: The opera suggests that the veneer of sanity can slip away at any moment, that madness can plunge a person into a destructive abyss.

Andrea Chénier

Sat., Dec. 13

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 190 mins.

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Giordano’s great tragedy blends verismo’s focus on the raw emotions of everyday people with the spectacle of historical grand opera. The marriage of sound and text is exemplary. More than anything, Andrea Chénier relies on engrossing performances from its lead performers for success, but the central characters are placed within an effective, larger musical canvas that bolsters the compelling star turns, rather than relying on them wholesale.

Arabella

Sat., Nov. 22

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 230 mins.

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The romantic comedy Arabella was the final collaboration of Richard Strauss and his great librettist Hugo von Hofmannsthal. While certain elements of operatic farce are present, there is great elegance about the work, and its characters’ journeys are moving and affecting in their own way. The title character—honest, pure, well-meaning—is one of opera’s most appealing and believable characters.

La Bohème

Sat., Nov. 8

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 185 mins.

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La Bohème, the passionate, timeless, and indelible story of love among young artists in Paris, can stake its claim as the world’s most popular opera. It has a marvelous ability to make a powerful first impression and to reveal unsuspected treasures after dozens of hearings. At first glance, La Bohème is the definitive depiction of the joys and sorrows of love and loss; on closer inspection, it reveals the deep emotional significance hidden in the trivial things—a bonnet, an old overcoat, a chance meeting with a neighbor—that make up our everyday lives.

 

La Sonnambula

Sat., Oct. 18

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 165 mins.

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This operatic gem from one of the great masters of melody is a benchmark of extraordinary vocalism. The title role of the sleepwalking girl was composed for the greatest diva of the day, Giuditta Pasta (for whom Bellini also wrote the tragic role of Norma). The part requires a rare combination of innocence, charm, and breathtaking vocal virtuosity. Deeper than a comedy, but in no way a tragedy, La Sonnambula reaches its conclusion through genuine, poignant character development, rather than by intrigue or farce.

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