Coming Attractions

You & Me & Tuscany

Fri., Apr. 10 - Thu., Apr. 16

Sat. & Sun. @ 1:40pm

Daily @ 6:40pm

Venue: Salmar Grand

Auditorium: 3

Runtime: 105 mins.

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violence, coarse language

Starring: Halle Bailey, Regé-Jean Page, Lorenzo de Moor, Isabella Ferrari, Aziza Scott, Marco Calvani and Nia Vardalos

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a romantic comedy following Anna, a down-on-her-luck chef who impulsively squats in an empty Italian villa. After being caught by the owner’s mother, she lies and poses as his fiancée, but complications arise when she falls for his handsome cousin, Michael.

The Super Mario Galaxy Movie

Fri., Apr. 10 - Thu., Apr. 16

Sat. & Sun. @ 1:50pm

Daily @ 6:30pm

Venue: Salmar Grand

Auditorium: 1

Runtime: 98 mins.

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violence

Starring: Chris Pratt, Anya Taylor-Joy, Charlie Day, Jack Black, Keegan-Michael Key, Benny Safdie, Kevin Michael Richardson, Brie Larson

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Having thwarted Bowser’s previous plot to marry Princess Peach, Mario and Luigi now face a fresh threat in Bowser Jr., who is determined to liberate his father from captivity and restore the family legacy. Alongside companions new and old, the brothers travel across the stars to stop the young heir’s crusade.

Project Hail Mary

Fri., Apr. 10

Sat., Apr. 11

Sun., Apr. 12

Mon., Apr. 13

Tue., Apr. 14

Thu., Apr. 16

Evenings @ 6:20 Sat. & Sun. Matinee @ 1:20

Venue: Salmar Grand

Auditorium: 2

Runtime: 157 mins.

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violence

Starring: Ryan Gosling, Milana Vayntrub, Sandra Hüller

Science teacher Ryland Grace wakes up alone on a spaceship light-years from Earth. As his memory returns, he uncovers a mission to stop a mysterious substance killing the sun, and save Earth. An unexpected friendship may be the key.

Youngblood

Wed., Apr. 15

Wednesday @ 6:50pm

Venue: Salmar Grand

Auditorium: 2

Runtime: 105 mins.

violence, coarse language

Starring: Ashton James, Blaire Underwood, Shawn Doyle, Alexandra McDonald, Olunike Adeliyi, Henri Richer-Picard

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We’re proud to celebrate National Canadian Film Day with a special FREE screening of Youngblood! 🏒🍿

📅 Wednesday, April 15, 2026
🎟 ONE SHOW ONLY — don’t miss it!

Come out and celebrate Canadian film with us on the big screen — absolutely FREE!❤️

Tickets are only avaible from concession! First come first serve.

When hockey prodigy Dean Youngblood joins the Hamilton Mustangs, he must face off against toxic behavior on the ice, and within himself, to fulfill his promise and seize a shot at being drafted into the National Hockey League.

El Último Sueño de Frida y Diego

Sat., May. 30

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 145 mins.

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The Metropolitan Opera’s 2025–26 Live in HD season comes to a close with a live transmission of American composer Gabriela Lena Frank’s first opera, a magical-realist portrait of Mexico’s painterly power couple Frida Kahlo and Diego Rivera, with libretto by Pulitzer Prize–winning playwright Nilo Cruz. Fashioned as a reversal of the Orpheus and Euridice myth, the story depicts Frida, sung by leading mezzo-soprano Isabel Leonard, leaving the underworld on the Day of the Dead and reuniting with Diego, portrayed by baritone Carlos Álvarez. The famously feuding pair briefly relive their tumultuous love, embracing both the passion and the pain before bidding the land of the living a final farewell. Music Director Yannick Nézet-Séguin conducts the Met-premiere staging of Frank’s opera, a “confident, richly imagined score” (The New Yorker) that “bursts with color and fresh individuality” (Los Angeles Times). The vibrant new production, taking enthusiastic inspiration from Frida and Diego’s paintings, is directed and choreographed by Deborah Colker.

Eugene Onegin

Sat., May. 2

9:55am

Venue: Salmar Grand

Auditorium: 2

Runtime: 225 mins.

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Tchaikovsky’s many moods—tender, grand, melancholy—are all given free rein in Eugene Onegin. The opera is based on Pushkin’s iconic verse novel, which reimagines the Byronic romantic anti-hero as the definitive bored Russian aristocrat caught between convention and ennui; Tchaikovsky, similarly, took Western European operatic forms and transformed them into an authentic and undeniably Russian work. At the core of the opera is the young girl Tatiana, who grows from a sentimental adolescent into a complete woman in one of the operatic stage’s most convincing character developments.

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